Sicily.
Granitola, 1955. At the first
light of dawn, the fishermen set out in their boats for open water,
timing the
rhythm of their oars to murmured chants. They set their nets in the
sea,
regulate the cords, organize the boats in a square. The men’s
work becomes
increasingly harder as the tuna are hoisted onto the boats, wriggling,
beating
their tails until death arrives and the water is tinged with blood.
Vittorio De
Seta (Palermo,
1923) debuted as a director
with Pasqua in
Sicilia, which he co-directed with Vito Pandolfi, and between
1954 and 1955 he
shot six documentaries in Sicily. Of these, Isola di fuoco won
first
prize for best documentary at the Festival of Cannes in 1955
FILMOGRAPHY
(Updated to the last partecipation to TFF)
Lu tempu di li
pisci spata (cm, doc.,
1954), Isole di fuoco (cm,
doc., 1954), Surfarara (cm, doc., 1955), Parabola
d'oro (cm,
doc., 1955), Pasqua in Sicilia (cm, doc., 1956), Contadini
del mare (cm,
doc., 1956), Pescherecci (cm, doc., 1958), Pastori
a Orgosolo (cm,
doc., 1958), Un giorno in Barbagia (cm, doc.,
1958), I dimenticati (cm,
doc., 1959), Banditi a Orgosolo (1960), Un
uomo a metà (1966), L'invitata
(1969), Diario di un maestro (TV, 1973),
Un anno a Pietralata (TV,
1974), In Calabria (1993), Dedicato ad
Antonino Uccello (2002), Lettere
dal Sahara (2005).