Country: Iran
Year: 1990
Duration: 75'


First version: the dark-haired man is Gazale's husband.
While he is taping bird songs in a cemetery, an elderly individual accidentally overhears a conversation between a blond shoeshine man and his lover. He tells everything to woman's husband, a dark-haired man, who kills his rival and turns himself over to the police. In court he is condemned to death. He asks to be thrown into the sea. Meanwhile, Gazale commits suicide in the place where she had met her lover.
Second version: the blond man is Gazale's husband.
This time the young woman is the dark-haired man's lover. He is a taxi driver. The elderly individual informs the blond man about the misfortunes of his love life. The blond man, kills his rival, is condemned to death, and chooses to be hanged from the tree under which he first courted Gazale.
Third version: return to the starting point.
The two men give up their dispute over Gazale. The dark-haired man allows the blond man to marry her. After the ceremony, the taxi driver offers his car as a wedding present. He then leaves the newly-weds alone, but the woman is not happy. She desires the dark-haired man ardently. Her new husband sacrifices himself for the love of her and goes out to look for the other man. On the way, he meets the elderly individual who reveals his own love for Gazale.

"Nabat-e asheqi could not be filmed in Iran, because of censorship. Therefore the film was shot in Istanbul in 1989, and acted by Turkish actors in Turkish." (Mohsen Makhmalbaf)

Biography

film director

Mohsen Makhmalbaf

Born in 1957 in a poor quarter of Tehran, Mohsen Makhmalbaf had to do more than a dozen of odd jobs lo earn his own and help support his mother between the age of eight and seventeen. When he was 15, he engaged in clandestine activity through a guerrilla group he himself had organized. Al 17, he was shot and arrested when trying to disarm a policeman and spent four and a half years in prison.
Released during the 1979 revolution, he quit all political activity and went in for literature and cinema. His published work includes about twenty volumes of novels and dramaturgy, film scripts and essays on art, some of which haze been translated into Turkish, Arabic, Urdu, Kurdish and English. With several scripts in addition lo the ones he had personally filmed, two documentaries and 20 movies edited by him, Makhmalbaf is the most prolific Iranian director of the last two decades.
His fourteen films made in as many years have invariably been, for one reason or another, controversial at home and abroad. The Peddler, The Cyclist, Marriage of the Blessed, Time for Love, Once Upon a Time, Cinema, The Actor and Salaam Cinema have so far been presented at 170 international film festivals and screened in 40 countries, with 22 prizes won among them. The awards include the top prize at the Rimini International Film Festival (Italy, 1989) and the East-West Award al the Hawaii International Film Festival (Usa, 1991) for The Cyclist; the First Prize of the Taormina International Film Festival (Italy, 1992), the jury's Special Award and the Fipresci film critics' award at the Karlovy Vary International Film Festival (Czechoslovakia, 1992), and the jury's Special Award at the Istanbul International Film Festival (Turkey, 1992) for Once Upon a Time, Cinema; and the Critics' Award (Sao Paulo, Brasil, 1995) for all his works.

FILMOGRAFIA

Film di finzione/Fiction Films
Tobe-ye Nasuh (Nasooh's Repentance/Pentimento definitivo, 1982).
Do cheshm-e bi su (Two Sightless Eyes/Due occhi senza luce, 1983).
Estèaze (Seeking Refuge in God/Rifugiarsi in Dio, 1984).
Baycot (Boycott/Il boicottaggio, 1985).
Dastforush (The Peddler/L'ambulante, 1986).
Baysilkeran (The Cyclist/Il ciclista, 1987).
'Arusi-ye khuban (The Marriage of the Blessed/Il matrimonio dei benedetti, 1988).
Nobat-e asheqi (Time of Love/Tempo d'amare, 1990).
Shabhay-e Zayandeh Rud (Nights on the Zayandeh Rud/Notti sullo Zayandeh Rud, 1990).
Ruzi ruzegari cineina/Nasseroddin Shah, hactore cinema (Once Upon a Time, Cinema/C'era una volta il cinema, 1991).
Honar Pishé (The Actor/ L'attore, 1992).
Salaam Cinema (Salam Cinema, 1994).
Gabbeh (idem, 1995).
Nun va goldun (A Moment of Innocence/Un istante di innocenza,1996).

Documentari/Documentare
Gozideh tasvir dar doran-c Qajar (A Selection of Images from Qajar Era/Una selezione di immagini del periodo Qajar, 1992).
Sang-o shisheh (The Stone and the Glass/La pietra e il vetro, 1993).

Cast

& Credits

Director, screenplay and editor: Mohsen Makhmalbaf.
Director of photography: Mahmoud Kalari.
Art director: Mobammad Nasrollahi.
Sound: Jahaangir Mirshekari.
Cast and characters: Shiva Gerde (Gazale), Abdolrahman Yalmay (l'uomo bruno), Aken Tuni (l'uomo biondo), Menderes Samanjilar (l'uomo anziano).
Production company: Green Film House - Gruppo di spettacolo Shahed-Societ` Darsib.
Foreign sales agent: MK2 diffusion, 55 rue Traversière, 75012 Paris, tel. +33-1-43071510, fax +33-1-43442018.
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