17° TORINO FILM FESTIVAL
Italian Spottings 1999

NON MI BASTA MAI

IT'S NEVER ENOUGH FOR ME
by Guido Chiesa, Daniele Vicari
Country: Italy
Year: 1999
Duration: 75'


Pietro, Ebe, Pasquale, Vincenzo, and Gianni are five people who are very different from each other. They have strong individual traits and are intensely committed to their work, but not only this. Each of them dedicates a good part of his free time to socially useful activities. Pietro is a social director for children. Ebe is a union activist. Pasquale and Vincenzo are member of private organizations that foster cooperation with the third world. Gianni is engaged in projects for the defense of the environment. What they have in common is that the live or have lived in Turin. Other than that, they do not seem to have much in common. Yet, twenty years before, these five people shared in one of the most important and contradictory pages of Italian post-war history. In fall, 1980, after 35 dramatic days of strikes, the state of conflict ended between FIAT, the most noteworthy Italian company, and the workers' movement. After ten years of struggle that began with the hot fall of 1969 the strongest and feistiest European working class was defeated by the refined, repressive strategy of FIAT and by their own internal divisions. They were also defeated by a general transformation in world capitalism whose impetus had been intuited by few at the time - the end of Fordism and the beginning of globalization. The video passes from the present to the past, and then to the future of the five characters. It tries to tell the story of those years of transformation. It also tries to investigate about the questions that the protagonists are raising with their own lives. Is every hypothesis for a collective transformation of society really finished? In what way can a person still «change» in a world that tends more and more towards standardization? What sense does "giving and example" have? The film uses never-before-screened film clips form the 1980 struggles and alternates these with 16mm shots taken this year. In this way, the film tries to use images and sounds in order to recount several possible trails that are perhaps being blazed in grassroots society.

"It's Never Enough for Me grew out of my encounters with the protagonists, and took life from them. There are a close up scenes from the lives of our protagonists with all their contradictions, fears, anxieties, and projects. In the background, there are ten years of workers' struggles, the dramatic crisis of the 35 days, and the end of industrial development in a city, Turin, that is going through a profound transformation. We have worked thinking of a film story that would go in the opposite direction of a television investigation. We have tried, with images and sounds, to reflect on what chances we have for the future" (Guido Chiesa, Daniele Vicari).

Biography

film director

Guido Chiesa

Guido Chiesa (Turin, 1959) moves to USA in 1983 where he works for Jim Jarmush, Amos Poe, Michael Cimino and Nicolas Roeg. Back to Europe, in 1990 he directs his first long feature film, Il caso Martello, winner of the Grolla d'Oro at the Mostra del Cinema in Venice as best first work. His second long feature, Babylon, has won the FIPRESCI prize at the Turin Film Festival. He has made some of the most important historical documentaries in Italy, like: Partigiani, on the memories and the meaning of Resistance in Italy; Nascita di una democrazia, on the making of the Italian Constitution. In 2000, his Il partigiano Johnny is screened at the Mostra d'Arte Cinematografica in Venice.

FILMOGRAFIA

Give Me a Spell (cm, 1985), Black Harvest (cm, 1986), Il caso Martello (1991), Civiltà (cm, 1992), Il tempo dei sogni (cm, 1993), Babylon (1994), Memorie da una fabbrica (1994), Torino in guerra: 1940-1945 (1995), 25 aprile: la memoria inquieta (1995), Quei momenti eroici (1988-1995) (cm, 1995), Materiale resistente (1995, co-regia Davide Ferrario), Rane culatelli & lucciole: la pianura di Bertolucci (1996), Ritratti d'autore: i fratelli Taviani (1996), Partigiani (1997, co-regia Davide Ferrario, Antonio Leotti, Daniele Vicari), Petali di candore Marlene Kuntz '96-'97 (1997), Nascita di una democrazia (1997), Volare - La grande trasformazione (1998), Un giorno di fuoco (1998), Una questione privata. Vita di Beppe Fenoglio (1998), Non mi basta mai (1999/2000, co-regia Daniele Vicari), Il partigiano Johnny (2000), Provini per un massacro (2000), Alice è in paradiso (2002), Sono stati loro. 48 ore a Novi Ligure (doc., 2003).

Daniele Vicari

(Castel di Tora, Rieti, 1967) after film studies and a few collaborations with movie magazines, in the early 1990s began making historical-political short and medium-length movies, including Comunisti (1998), the collective project Partigiani (Partisans, 1997), and Non mi basta mai (1999), which he directed with Guido Chiesa, all presented at the Torino Film Festival. In 2002, with Velocità massima (Maximum Velocity) he participated in competition at the Venice Film Festival and won the Pasinetti Award, followed by a David di Donatello for best new director. In 2005, with L'orizzonte degli eventi he participated at the Semaine de la critique in Cannes and two years later he won another David di Donatello for his documentary Il mio paese. He next presented Il passato è una terra straniera (The Past is a Foreign Land, 2008) at the Rome Film Fest and his best-known movie Diaz - Don't Clean Up This Blood (2012) at the Berlinale, winning the Panorama Audience Award. That same year, he once again won a Pasinetti Award in Venice with his documentary La nave dolce (The Human Cargo), and in 2017 he presented Sole cuore amore (Sun, Heart, Love) in Rome, winning the Silver Ribbon for legality and winning another one the next year with the TV movie Prima che la notte. In 2021, he directed Il giorno e la notte (The Day and the Night), made during the lockdown. With Andrea Porporati and Francesca Zanza, he founded the production company Kon-Tiki film and he also published a novel with Einaudi, Emanuele nella battaglia (2019).

FILMOGRAFIA

Il nuovo (cm, 1991), Mari del sud (cm, 1993), Partigiani (coregia Guido Chiesa, Davide Ferrario, Antonio Leotti e Marco Simon Puccioni, doc., 1997), Uomini e lupi (doc., 1998), Comunisti (doc., 1998), Bajram (doc., 1998), Non mi basta mai (coregia Guido Chiesa, doc., 1999), Sesso, marmitte e videogames (cm, doc., 1999), Morto che parla (cm, 2000), Velocità massima (2002), L’orizzonte degli eventi (2005), Il mio paese (doc.., 2006), Il mio paese 2.0 (doc., 2007), Il passato è una terra straniera (2008), Diaz - Don’t Clean Up This Blood (2012), La nave dolce (doc.., 2012), UnoNessuno (2015), Sole cuore amore (2016), Prima che la notte (tv, 2018), L’Alligatore (serie tv, 2020), Aria (serie tv, 2020), Il giorno e la notte (2021), Orlando (2022).

Cast

& Credits

Regia, soggetto, sceneggiatura: Guido Chiesa, Daniele Vicari.
Director of photography: Gherardo Gossi.
Editor: Luca Gasparini.
Musica, suono: Giuseppe Napoli.
Cast: Ebe Matta, Vincenzo Elafro, Pasquale Salerno, Gianni Usai, Pietro Perotti.
Production company: Brooklyn Films, via Amerigo Vespucci 24, 00153 Roma, tel. +39-06-573004943, fax +39-06-57300520.
Co-production: Tele+, Associazione Emilio Pugno.

TFF

prizes

CIPPUTI AWARD 1999

Special Mention

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