Inspired by the novel Flicker by Theodore Roszak,
this film was intended to explore the images captured in the flickering
light of multiple projector beams. "However, once production began the
projector beams began to put both myself and my actress into a trance
state due to the strobe light it presented. The resulting becomes an
exploration into oneself and the sense of seeing and being at the same
time, both an inward journey and an outward one." (D. Angerame)
Biography
film director
Dominic Angerame
Dominic Angerame has taught Cinema at the San Francisco Art Institute, California University and the Art Institute of Chicago. In '99 he curated a retrospective of avant-garde cinema for the San Francisco MoMA. For over 20 years he was executive producer at Canyon Cinema.
FILMOGRAFIA
10 X 17 (cm,1971), Putzo (cm, 1972), Demonstration (cm, 1968-74), Delaware Park (cm, 1969-73), Scratches, Inc. (cm, 1975), El Train Film (cm, 1976), Neptunian Space Angel (cm, 1977), A Film (cm, 1979), Sfai (cm, 1980), Freedom's Skyway (cm, 1980), A Ticket Home (cm, 1982), I'd Rather Be In Paris (cm, 1982), The Mystery of Life - As Discovered in Los Angeles (cm, 1982), Sambhoga-kaya (cm, 1983), Honeymoon in Reno (cm, 1983), Hit the Turnpike! (cm, 1984), Voyeuristic Tendencies (cm, 1984), Phone/Film Portraits (cm, 1985), Continuum (cm, 1987), Deconstruction Sight (cm, 1990), Premonition (cm, 1995), Line of Fire (cm, 1997), In the Course of Human Events (cm, 1997), Battle Stations - A Navel Adventure (cm, 2002), Pixiescope (cm, 2003), The Waifen Maiden (cm, 2003), Consume (cm, 2003).