The intense journey of Piero Bargellini through techniques and aesthetics forces Adriano Apr` to declare: "Bargellini's cinema is a research of energy and fire. In each film he gets gradually closer to fire, a progressive 'focus'". With Apr` we discover the life of a filmmaker from Arezzo and the itinerary that brought him from a small province to the utopian glamour of Roman Off Cinema of the 60s. Director Paolo Brunatto and poet Valentino Zeichen let themselves be taken by Apr` through a sidereal and oracular space, that Bargellini used to observe very accurately and to absorb its erotic atmosphere and the call of consumer society.
Biography
film director
Paolo Brunatto
Paolo Brunatto (Paris, 1935) has studied painting with Ottone Rosai in Florence and architecture in Geneva. He has made more than 500 documentaries, reportages and experimental films. His works have been screened at all major International Film Festivals and distributed in more than 26 countries.
FILMOGRAFIA
FILMOGRAFIA ESSENZIALE/ESSENTIAL FILMOGRAPHY
Appunti sull'emigrazione (1960), Nous Irons a Tahiti (1962), Un'ora prima di
Amleto + Pinocchio (1960), Bis (1966),
Vieni, dolce morte (1967), Tak (1968), Oserò, turbare l'universo? (1969), La
voce di Esta Joy (1971), Il comizio (1977), Dove va la poesia? (1979), Le ferite
dell'infanzia (1980), Nostalgia di un kolossal (1987), Un Oscar ben portato
(1987), Chi è Ryuchi Sakamoto? (1988),
Kailash - La Montagna Sacra (1988), Perché Buddha? (1992), Il sogno di Aun San
Suu Kyi (1992), In cerca di una perduta ragione di vita (1996), Gli estremi non
si toccano (1998), Diario australiano (1999), Angeli & Killers (1999), La Dea
delle piccole cose (2002),
Il senso del mistero (2003), Assenza, più acuta presenza (2003), Tragico errore
(2003), La memoria della meraviglia (2003),
Tradimento d'amore (2003), Un pomeriggio a New York (2004), Schegge di utopia
(2004).