"You're
there... I thought you passed on the other side." The third
part of a triptych
entitled Trois
fois rien, the first two parts are Faibles
amusements and Contretemps (which were
presented at the 2004 "The motive is the
unity one sees, I mean the
"subject" in the sense of a person. In this case,
the person makes the
motive. It is his
presence in the three
films that makes the unity and, in the end, a feature film. His voyage
through
the image is Trois
fois rien (nothing three times) The
beginning and the end. Two panels for this crossing. Faibles
amusements and
Comme une ombre légère revolve
around a hinge, around a five-minute
insert called Contretemps. These two panels, which are almost exactly
the same
length, respond to each other, but they don't have the same
tone - and in this
I also mean the tone of the voice. In Comme une ombre
légère words are
rare. They are more frequent and almost voluble in Faibles
amusements.
Something happens between the two, or something has happened. There are
elements, sometimes like an echo, that can be perceives as a
story." (J-C.
Rousseau)
Biography
film director
Jean-Claude Rousseau
Jean-Claude
Rousseau (Paris,
France, 1946) in New York works in avant-garde cinema and then in 1983
shot the
medium-length Jeune
femme à sa fenêtre lisant une letter (1983).
Two
short
films follow Venise
n’existe pas (1984) and Keep in
Touch (1987). His first full-length film, Les
Antiquités de Rome, was
made in 1989. He then directed
FILMOGRAFIA
Jeune
femme à sa fenêtre lisant une lettre (mm,
1983), Venise n’existe pas (doc., cm,
1984), Keep in Touch (cm,
1987), Les Antiquités de Rome (doc.,
1989),