Giancarlo Santi, a sixty-something Roman director, leaves his home early in the morning and walks to Tufello, where he is joined by a small film troupe that has come to interview him about his life and film career. Against this backdrop of deserted Rome, which also represents the desert of contemporary Italian cinema, Giancarlo tells his interviewers anecdotes that cover 50 years of Italian cinema history. He even gets angry with Quentin Tarantino, who used the music from Santi's film Il grande duello (Hell's Fighters, 1972) in his film Kill Bill without even contacting him. "Many authors of Italian cinema who were active, particularly during the 1970s, within a productive system that had fairly carefree underhand dealings, gave impulse to a new, bold but also creative and bizarre way of making popular cinema - they were mercilessly forgotten […]. Amongst these 'forgotten directors of Italian cinema of the 1970s, Giancarlo Santi deserves a front-row seat." (A.G. Mancino)
Biography
film director
Anton Giulio Mancino
Anton Giulio
Mancino, journalist,
film critic, university
professor of the Film History and Criticism Semiotics, collaborates
with “
FILMOGRAFIA
Giancarlo
Santi: facevo er cinema (doc., 2005).