23° TORINO FILM FESTIVAL

Reinvenção da rua - Uma reflexão

Rinvenzione della strada - Una riflessione

Country: Brazil
Year: 2004
Duration: 32\'


Public art and its usefulness: reflections on the homeless people of New York and São Paolo, starting with the work by Vito Acconci, an international icon of Public Art. The installation, which was created in 60 days under the Glicério viaduct in São Paolo, is "something like a house for the street," a housecontainer added to the viaduct. In counterpoint, the words of  the homeless population. Helena Ignez and Rogério Sganzerla met Vito Acconci in New York. Acconci is the most important late-20th century pioneer of performance, video, installations and exploration of architectonic space. His work has extended the confines of art, moving beyond the gallery or museum into shared public space. Initially a poet, Acconci began dedicating himself to Conceptual Art during the late 1960s. Helena Ignez's reflection touches themes about existence in its widest sense and offers the spectator a meditation on the perpetuating cycle of life. 

Biography

film director

Helena Ignez

Helena Ignez (Salvador de Bahia, Brazil, 1942), the former wife of Glauber Rocha and of  Julio Bressane, is now married to Rogério Sganzerla. She is one of the central figures of  Brazilian dramaturgy of the ’60 and ’70s. Bressane and Sganzerla found in her an actress who dared to dare and invented with them a new cinematography and a new language. A few of the films she has acted in are O Bandido da Luz Vermelha (1969), A Mulher de Todos (1970) and Copacabana mon amour (1970) directed by Rogério Sganzerla.  

FILMOGRAFIA

A miss e o Dinossauro (co-regia Julio Bressane, Rogéiro Sganzerla, cm, 1970), Reinvenção da rua - Uma reflexão (mm, 2003).

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