Country: Ireland
Year: 2004
Duration: 107


Japan, August 15, 1945: millions of Japanese hear the voice of their emperor for the first time. During his speech to the nation, Hirohito announces two crucial decisions that will prove to be of great historic importance: Japan's declaration of surrender to the Allies and his renouncement of his divinity. The film shows what led to these decisions and illustrates the complex relationship between the emperor and the American general, Douglas McArthur.

"
The Sun is the third chapter of my trilogy and it is indissolubly tied to the previous films, Moloch and Taurus. What is the main element that unites them? Their representation of a hero who suffers a personal tragedy. In Moloch, we meet Hitler as his individuality begins to collapse. We see Lenin in Taurus, strong, violent, struggling against death, enamored of power. Each of them faces a catastrophe caused by their choices and actions. […] Hirohito is the symbol of an edifying finale, or, more precisely, not a finale, but an aperture, to life." (A. Sokurov)

Biography

film director

Aleksandr Sokurov

(Podorvicha, Russia, 1951) studied cinema at VGIK in Moscow but left before completing his studies because of contrasts with the Goskino. In 1980 he began working at Lenfil'm, but only after perestroika could the films he made during this period be seen, like his debut film The Lonely Voice of Man (1978). In 1985 he inaugurated the series of Elegies and in the 1990's he experimented with digital technology in A Humble Life (1997) and Dolce (1999). He received world-wide recognition with Mother and Son (1997), Moloch (1999), Russian Ark (2002) and Father and Son (2003). In 2003, the Film Festival dedicated a complete retrospective to his opus. In 2011 his film Faust won Golden Lion in Venice Film Festival. In 2019 la sua scuola di cinema nel Kabardino-Balkaria, che ha lanciato giovani registi come Kantemir Balagov e Kira Kovalenko, è stata chiusa per via dei contrasti tra il regista e il governo russo. In 2019 the film foundation set up by Alexander Sokurov, which raised young directors such as Kantemir Balagov and Kira Kovalenko, has been closed after claims of government hostility.

FILMOGRAFIA

Finzione

Odinokiy golos cheloveka (La voce solitaria dell’uomo, 1978-1987), Razzhalovannyy (The Degrade, cm, 1980), Skorbnoye beschuvstviye (Una dolorosa indifferenza, 1983-1987), Ampir (cm, 1987), Dni zatmeniya (I giorni dell'eclisse, 1988), Spasi i sohrani (Salva e custodisci, 1989), Krug vtoroy (Il secondo cerchio, 1990), Kamen (Pietra, 1992), Tikhiye stranitsy (Pagine sommesse, 1994), Mat i syn (Madre e figlio, 1997), Molokh (Moloch, 1999), Telets (Taurus, 2001), Russkiy kovcheg (Arca russa, 2002), Otets i syn (Padre e figlio, 2003), Solntse (Il Sole, 2005), Aleksandra (Alexandra, 2007), Faust (id., 2011), Francofonia (id., 2015), Skazka (Fairytale, 2022).

Elegie

Elegiya (Elegia, cm, 1986), Moskovskaya elegiya (Elegia moscovita, 1987), Peterburgskaya elegiya (Elegia di San Pietroburgo, mm, 1990), Sovetskaya elegiya (Elegia sovietica, cm, 1990), Prostaya elegiya (Elegia semplice, 1990), Elegiya iz Rossii (Elegia dalla Russia... studi per un sogno, 1992), Vostochnaya elegiya (Elegia orientale, 1996), Elegiya dorogi (Elegia di un viaggio, 2001), Elegiya zhizni. Rostropovich. Vishnevskaya (Elegia della vita - Rostropovich, Vishnevskaya, 2006).

Documentari

I nichego bolshe (And Nothing More, 1987), Zhertva vechernyaya (Evening Sacrifice, 1987), Patience Labour (1987), Altovaya sonata. Dmitriy Shostakovich (Sonata for Viola. Dmitri Shostakovitch, 1988), Mariya (Maria, 1988), Sonata dlya Gitlera (Sonata for Hitler, 1989), K sobytiya v Zakavkazye (To the Events in Transcaucasia, 1990), Leningradskaya retrospektiva (1957-1990) (A Retrospection of Leningrad (1957-1990), 1990), An Example of Intonation (1991), Soldatskiy son (Soldier’s Dream, cm, 1995) , Dukhovnyye golosa (Spiritual Voices, 1995), Robert Schastlivaya zhizn (Hubert Robert. A Fortunate Life, 1996), Smirennaya zhizn (Una vita umile ,1997), Peterburgskij dnevnik: Otkrytie pamjatnika Dostoevskomu (Diario di San Pietroburgo: L’inaugurazione del monumento a Dostoevskij, 1997), Peterburgskij dnevnik: Kvartira Kozintseva (Diario di San Pietroburgo: L’appartamento di Konincev, 1998), Povinnost (Confession, 1998), The Dialogues with Solzhenitsyn (Uzel) (1998), Dolce (2000), Peterburgskij dnevnik: Mozart. Rekviem (Diario di San Pietroburgo: Mozart. Requiem, 2004), Citaem blokadnuju knigu (Leggendo il libro dell’assedio, 2009).

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