Country: Italy
Year: 1968
Duration: 5'


her

Her was shot as my contribution to a collective film of the Italian Film-makers’ Cooperative, Tutto, tutto nello stesso istante, which started out as a Dadaist protest against police brutality. I used a “Newsweek” cutting about the the Chicago Convention riots, about a woman being beaten up, and isolated in every line a symbolic word, which returns in the second part with an extension of its original meaning. I remember showing it with an 8mm projector at the USIS Rome Library in winter 1970 as part of a concert of American music.”

Biography

film director

Massimo Bacigalupo

Massimo Bacigalupo (Rapallo, Genoa, Italy, 1947) produced his first film work for the local Amateur Film Club. For some years he helped organize the Rapallo International Amateur Film Festival. In 1966 his feature Quasi una tangente was awarded first prize in the Montecatini Film Festival. Bacigalupo, who was nineteen-year-old at the time, remembers that he was sitting in the audience with Lillian Gish and Anita Loos, who happened to be visiting Montecatini (Lillian was a friend of Massimo’s parents). Early on, through his personal acquaintance with poet Ezra Pound, Bacigalupo met filmmakers and associates of the New American Cinema, among them Guy Davenport, Stan Brakhage, Gregory Markopoulos, Jonas Mekas, and Abbott Meader. In 1970 he prepared an Italian translation of Brakhage’s Metaphors on Vision. He brought to Rapallo in 1964 a selection of American films, among them works by Ron Rice and Maya Deren, which made a lasting impression. In 1966-71 he was a university student in Rome, where he was a founding member of the Italian Filmmakers’ Cooperative, and was involved in producing and distributing independent films. In 1968 he shot 200 Feet for March 31, an uncut and silent 8mm film-happening. He went on in 1969-70 to create Eringio, a series of four films running over two hours. The title refers to Dürer’s self-portrait, and this film quartet amounts to a collective self-portrait of the student and art world in Italy at the time. The longest film of the series, Migration, a celebration of the Great Mother and her many incarnations, was premiered at the 1970 London Film Festival. Bacigalupo travelled with a showcase of Italian underground films to Denmark, Sweden, Germany (1970), and later Spain (1974) and England (Tate Gallery, 1983). He enrolled as a graduate student at Columbia University, receiving his Ph.D. in American literature in 1975. Warming Up, a color film shot in Italy and America, was premiered at the Anthology Film Archives, NYC, on Bacigalupo’s 26th birthday, April 20, 1973. In 1975 he shot Postcards from America, a dream travelogue, and Into the House, an homage to his American mother’s family. Later Bacigalupo has been chiefly active as a scholar, critic and educator. He is Professor of American Literature at the University of Genoa and has received numerous awards for his work as a translator, chiefly of English and American poetry. He lives in Rapallo. 

FILMOGRAFIA

filmografia/filmography

 

Lilan (cm, 1965), Quasi una tangente (mm, 1966), Ariel loquitur (mm, 1967), 60 metri per il 31 marzo (cm, 1968), Versus (cm, 1968), Her (cm, 1968), The Last Summer (cm, 1969), Né bosco (una conversazione) (cm 1970), Migrazione (mm, 1970), Paphos (cm, 1970), Coda (cm, 1970), Warming Up (mm, 1973), Into the House (cm, 1975), Cartoline dall’America (cm, 1975).

Cast

& Credits

regia/director

Massimo Bacigalupo 

 


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