31° TORINO FILM FESTIVAL
WAWES/TRIBUTE TO YU LIKWAI

MINGRI TIANYA

ALL TOMORROW'S PARTIES
by Likwai Yu
Country: China, France, Brazil, , Hong Kong, South Korea
Year: 2003
Duration: 96'


The mid-21st century. The powerful sect Gui Dao controls post-apocalyptic Asia and is conducting a campaign to eliminate all dissidents. These include the two brothers Zhuai and Mian, who are captured and sent to Camp Prosperity to be re-educated. Unexpectedly, the sect is overthrown and the two young men have a chance to taste freedom. Zhuai falls in love with Xuelan and takes her and her son to a deserted city, where they set up home in an abandoned apartment and try to explore the small pleasures of life.

Biography

film director

Yu Likwai

Yu Likwai (Hong Kong, China, 1966) studied in Belgium at the INSAS (Institut national supérieur des arts de spectacle), graduating in Film in 1994, and began working as a cinematographer, the start of an important collaboration with Jia Zhangke. He directed the photography of many of the Chinese filmmaker’s movies, including Pickpocket (1997), Platform (2000), Unknown Pleasures (2002), The World (2004), Still Life (2006), 24 City (2008), I Wish I Knew (2010), and A Touch of Sin, which won best screenplay at the last Cannes Film Festival. The collaboration between the two artists also led to the founding of the production company Xstream Pictures in 2003. Yu Likwai has also worked as director of photography with the Hong Kong director Ann Hui on Ordinary Heroes (1999) and above all on A Simple Life, which competed at the 2011 Venice Film Festival and for which Deannie Yip won the Volpi Cup for best actress. He recently collaborated on the first film directed by the Chinese author Quan Ling, Forgetting to Know You (2013), produced by Jia Zhangke and presented at the Forum of the last Berlinale. Alongside his work as director of photography, in 1996 Yu Likwai began his career as a director with the short documentary Yuan Ping, followed the next year by the medium-length documentary Neon Goddesses (1996). In 1999 he directed the feature-length Love Will Tear Us Apart, which competed at Cannes, and in 2003 All Tomorrow’s Parties (2003), selected for Cannes in the section Un certain regard, and winner of a special mention for the Photography at BAFICI and the New Visions Award at the Sitges Film Festival. In 2004 Yu Likwai participated in the Jeonju International Film Festival project with the short Dance with Me to the End of Love, presented that same year at the Torino Film Festival, and in 2008 he made what for the moment is his most recent film as a director, Plastic City, which competed at the Venice Film Festival.

FILMOGRAFIA

Yuan Ping (cm, doc., 1995), Neon Goddesses (mm, doc., 1996), Tin seung yan gaan (Love Will Tear Us Apart, 1999), Mingri tianya (All Tomorrow’s Parties, 2003), Dance With Me to the End of Love (cm, 2004), Dangkou (Plastic City, 2008).

Declaration

film director

“I don’t really know if the subject matter of All Tomorrow’s Parties can really be categorized as science fiction. For me, anticipating the future does not automatically imply science fiction. […] The film is a story of anticipation: a post-apocalyptic Asia. It can happen tomorrow, it can happen in 2075 or 3000, who knows... […] As a matter of fact, the story could easily fit within the realms of any contemporary event. It could even be considered a post-war film. I situate the film in the future simply to enable me to better express my feelings against our absurditites, our fragilities.

Cast

& Credits

REGIA, SCENEGGIATURA 
Yu Lik Wai
FOTOGRAFIA
Lai Yiu Fai
MONTAGGIO
Chow Keung
SCENOGRAFIA
Zhao Xiao Yu
COSTUMI
Fu Jing Ping
MUSICA
Yoshihiro Hanno
SUONO
Ken Wong
INTERPRETI E PERSONAGGI
Cho Yong Won (Xuelan), Diao Yi Nan (Zhuai), Na Ren (Lanlan), Zhao Wei Wei (Mian)
PRODUTTORI
Li Kit Ming, Hengameh Panahi
PRODUZIONE
Lumen Films
DISTRIBUZIONE
Celluloid Dreams
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