33° TORINO FILM FESTIVAL
FESTA MOBILE/GRAN TORINO AWARD

DISTANT VOICES, STILL LIVES

DISTANT VOICES, STILL LIVES
by Terence Davies
Country: UK
Year: 1988
Duration: 85'


Twenty years in the life of a working-class Catholic family in Liverpool, straddling World War Two and seen through the eyes of a child. Daily life is dominated by an authoritarian and violent father, who is contemporaneously loved and hated because of the way he mistreats his wife, a humble and patient woman. They are surrounded by a multitude of sisters and friends. The songs of the era create the interface in a gallery of memories balanced between joy, suffering and melancholy.

Biography

film director

Terence Davies

Terence Davies (Liverpool, UK, 1945) quit school at sixteen to study at the Coventry Drama School. He debuted in 1976 with the autobiographical Children and then enrolled at the National Film School, where he made another short, Madonna and Child. He concluded The Terence Davies Trilogy with Death and Transfiguration (1983). In 1988 and 1992 he made his two masterpieces: Distant Voices, Still Lives (FIPRESCI Prize at Cannes) and The Long Day Closes, autobiographical films set in Liverpool during the 1940s and 1950s. These were followed by The Neon Bible (1995), in Cannes competition, and The House of Mirth, based on the novel by Edith Wharton. He returned to Cannes in 2008 with his documentary about Liverpool Of Time and the City, also presented at the Torino Film Festival, which in 2015 gave him the Gran Premio Torino and presented his film Sunset Song.

FILMOGRAFIA

Children (cm, 1976), Madonna and Child (cm, 1980), Death and Trasfiguration (cm, 1983), The Terence Davies Trilogy (Terence Davies Trilogy, 1983), Distant Voices, Still Lives (Voci lontane… sempre presenti, 1988), The Long Day Closes (Il lungo giorno finisce, 1992), The Neon Bible (Serenata alla luna, 1995), The House of Mirth (La casa della gioia, 2000), Of Time and the City (doc., 2008), The Deep Blue Sea (2011), Sunset Song (2015), A Quiet Passion (2016). 

Declaration

film director

“Everything in the screenplay happened. I had to tone down my father’s violence because if I’d put the real levels in, nobody would have believed it. I thought it would be a cathartic project, but I suddenly realised all that suffering was quite arbitrary, and my mum was unlucky to have married him. It was strange directing actors imitating my family, because you have to have an aesthetic distance, and they have to find the characters themselves.”

Cast

& Credits

regia, sceneggiatura/director, screenplay
Terence Davies
fotografia/cinematography
William Diver, Patrick Duval
montaggio/film editing
William Diver
costumi/costume design
Monica Howe
interpreti e personaggi/cast and characters
Pete Postlethwaite (il padre/father), Freda Dowie (la madre/mother), Lorraine Ashbourne (Maisie), Angela Walsh (Eileen), Dean Williams (Tony), Jean Boht (la zia/aunty Nell), Michael Starke (Dave), Andrew Schofield (Les), Debi Jones (Micky), Chris Darwin (Red), Vincent Maguire (George), Pauline Quirke (Doreen), Toni Mallen (Rose)
produttore/producer
Jennifer Howart
produzione/production
British Film Institute
coproduzione/coproduction
Channel Four Films, Zweites Deutsches Fernsehen


contatti/contacts
British Film Institute
George Watson
George.Watson@bfi.org.uk
www.bfi.org.uk
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