35° TORINO FILM FESTIVAL
BRIAN DE PALMA

SISTERS

SISTERS
by Brian De Palma
Country: USA
Year: 1972
Duration: 93'


De Palma’s first thriller-horror movie is a cult with clear Hitchcockian influences (starting with the wonderful soundtrack by Bernard Herrmann), in which identity crises and voyeurism have starring roles. Two twin sisters who live together, a murder, the journalist who lives opposite them and sees something but finds neither corpse nor proof: a movie about the obsession for truth and how appearances can be deceiving. As always, Charles Durning is superb as the private eye.

Biography

film director

Brian De Palma

Brian De Palma (Newark, NJ, USA, 1940) studied physics at Columbia University in the 1960s, then switched to theater and film studies in grad school. He was exposed to various influences, from the movies made by Welles, Hitchcock, Antonioni, and Godard, to the lessons he learned from his drama teacher Wilford Leach. He started making short films and showing a keen interest in experimental cinema and European nouvelle vague movements. He made his first noteworthy feature films in the late 1960s and early 1970s with independent production companies: Greetings (1968), The Wedding Party (1969), and Hi, Mom! (1970), which starred Robert De Niro. Sisters (1973) was his first psychological thriller, which would become his trademark style. He gained international recognition in the late 1970s with the musical-thriller Phantom of the Paradise (1974), the horror movie Carry (1976, based on Stephen King’s novel), and Dressed to Kill (1980). He made some of his greatest hits in the 1980s: Blow Out (1981), Scarface (1983, which featured Al Pacino in the remake of Howard Hawks’ 1932 classic), and The Untouchables (1987), revealing his predilection for thrillers and gangster movies. After the flop of The Bonfire of the Vanities (1990, based on Tom Wolfe’s novel), he regained the critics and public’s favor with Carlito’s Way (1993), which starred again Al Pacino. He made his first blockbuster Mission: Impossible in 1996, and his first science fiction Mission to Mars in 2000. He then directed Femme Fatale (2002), The Black Dhalia (2006, based on James Ellroy’s novel), and the war movie Redacted (2007, winner of the Silver Lion at the Venice Film Festival). These last movies confirmed his visionary talent, unique among his generation of filmmakers that grew up in the New Hollywood period, and his sometimes-troubled relationship with the American movie industry.

FILMOGRAFIA

Icarus (cm, 1960), 660124: The Story of an IBM Card (cm, 1961), Woton’s Wake (cm, 1962), Jennifer (cm, 1964), Mod (cm, 1964), Bridge That Gap (cm, 1965), The Responsive Eye (cm, 1966), Show Me a Strong Town and I’ll Show You a Strong Bank (cm, 1966), Murder à la Mod (cm, 1968), Greetings (Ciao America!, 1968), The Wedding Party (Oggi sposi, 1969), Dionysus in ’69 (Dionisio nel ’69, 1970), Hi, Mom! (id., 1970), Get to Know Your Rabbit (Conosci il tuo coniglio, 1972), Sisters (Le due sorelle, 1973), Phantom of the Paradise (Il fantasma del palcoscenico, 1974), Obsession (Complesso di colpa, 1976), Carrie (Carrie - Lo sguardo di Satana, 1976), The Fury (Fury, 1978), Home Movies (Home Movies - Vizietti familiari, 1980), Dressed to Kill (Vestito per uccidere, 1980), Blow Out (id., 1981), Scarface (id., 1983), Body Double (Omicidio a luci rosse, 1984), Dancing in the Dark (videoclip, 1984), Relax, Version 3 (videoclip, 1984), Wise Guys (Cadaveri e compari, 1986), The Untouchables (The Untouchables - Gli intoccabili, 1987), Casualties of War (Vittime di guerra, 1989), The Bonfire of the Vanities (Il falò delle vanità, 1990), Raising Cain (Doppia personalità, 1992), Carlito’s Way (id., 1993), Mission: Impossible (id., 1996), Snake Eyes (Omicidio in diretta, 1998), Mission to Mars (id., 2000), Femme Fatale (id., 2002), The Black Dahlia (Black Dahlia, 2006), Redacted (id., 2007), Passion (2012), Domino (2018).

Cast

& Credits

regia, soggetto/director, story
Brian De Palma
sceneggiatura/screenplay
Brian De Palma, Louisa Rose
fotografia/cinematography
Gregory Sandor
montaggio/film editing
Paul Hirsch
scenografia/production design
Gary Weist
musica/music
Bernard Herrmann
interpreti e personaggi/cast and characters
Margot Kidder (Danielle Breton/Dominique Blanchon), Jennifer Salt (Grace Collier), Charles Durning (Joseph Larch), William Finley (Emil Breton)
produttore/producer
Edward R. Pressman
produzione/production
Pressman-Williams, American International Pictures
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