L'occhio la macchina la città

Alberto Signetto

Alberto Signetto (Córdoba, Argentina, 1954) works in cinema and communication since 1970. He is one of the founder of Cooperativa Artkino (film distribution: Wenders, Lang, Wajda, Sanders and others) and since 1984, of production company Rosebud Company. Two years later he becomes director for Italy of Eurovip (European Video Independent Producers), in Brussel. In 1982 he started making films and working with Cooperativa Index.

FILMOGRAFIA

Cogliere un paese (1983), Weltgenie (1988), Fish-Eyes (1990), Gli ultimi giorni dell'Umanità (1991), The Final Kick (1994), Milano, 25 aprile 1994 (1994), Riflessioni sull'alluce (1995), Govi a Gavi (1996/1997), "... who dreamt and made incarnate gaps in Time & Space through images juxtaposed" (1998), Architetture olivettiane a Ivrea (1999), Escuela de Langa - Appunti per un film (1998/2000), Operazione S/F (2000), Don't Forget (2000), Venti anni prima, i cieli della Grecia (doc, 2004).

Marco Di Castri

Marco Di Castri (Milan, 1952) fuses his interest in cinema with a special focus on the world of contemporary art. In 1984 this led him to make extensive use of live-action shooting in artistic settings. This experience evolved into the project named Cataloga - a publishing house specialized in video-catalogues about artists, exhibitions and museum. Between 1985 and 1992 this project allowed him to work with internationally famous artists as well as to make the first video-catalogue in Europe, for the Centre C. Pompidou, in 1988. From 1992 to 1996 he worked freelance as director and cinematographer and continued his musical activity with the group Dedalus. Complete retrospectives of the Cataloga films were presented at the Musée National d'Art Moderne (Paris, 1994) and at the Festival of Art Film (Asolo, 1996).

FILMOGRAFIA

Notes sur Jean Rouch (1985), Enigma (1986), Now I Know Snow (co-regia Gianfranco Barberi, 1986), Joseph Beuys Olivestones (co-regia Gianfranco Barberi, 1986), Acta Sanctorum (1987), L'abito della Rivoluzione (co-regia Gianfranco Barberi, 1987), Daniel Buren: del colore, dell'architettura (co-regia Gianfranco Barberi, 1988), Michelangelo Pistoletto: I Have a Mirror (co-regia Gianfranco Barberi, 1988), Tinguely par Jeann Tinguely (co-regia Gianfranco Barberi, 1988), Magiciens de la terre (co-regia Gianfranco Barberi, 1989), Donald Jud al Castello di Rivoli (co-regia Gianfranco Barberi, 1990), Claudio Parmiggiani: una scultura (co-regia Gianfranco Barberi, 1991), Scalabrun (1995), La vita in faccia (1995), Ugo Nespolo in pillole (1996).