40° TORINO FILM FESTIVAL
ITALIAN DOCUMENTARIES COMPETITION
SULLE VIE DELL'INFERNO
by Mimmo Cuticchio
After a day’s work in his theatre, the puppeteer turns off the lights and closes the door behind him. The puppet Ariodante comes to life, dons the red costume of the poet Dante, confronts three wild beasts, joins Virgil, and guides us, nightmare after nightmare, through the sins of the world and infernal penance. At the end of this enthralling journey, we emerge with him to see the stars again and find ourselves once more in that small theatre full of compassion, a metaphor for the world and existence, just like Dante’s Comedy.
Biography
film director
Mimmo Cuticchio
(Gela, 1948) is a Sicilian puppeteer and story-teller, the son of a wandering puppeteer. He parted ways with his father in 1967 to run a puppet theatre in Paris and to perform on TV and in movies in Rome, and returned to Sicily to become a pupil of the last Sicilian story-teller, Peppino Celano. In 1977, he and Elisa Puleo (who later directed Sulle vie dell’inferno), founded the Associazione Figli d’arte Cuticchio. He followed the tradition of the Opera dei Pupi but also developed an original, experimental style, bringing together the time-honored popular tales of the epics of the Paladins inspired by the Bible and the universe of mythology, fables, and literature. In 1997, he founded a school of traditional techniques of puppet construction and maneuvering in Palermo. In recent years, he performed in the movies Prove per una tragedia siciliana (Rehearsal for a Sicilian Tragedy, 2009) and Terraferma (2011). In 2017, he published Alle armi, cavalieri! Le storie dei paladini di Francia, a collection of stories from the epic series; followed by Siamo Palermo (2019), in collaboration with S. Agnello Hornby; and Ossatura. Mimmo Cuticchio e Virgilio Sieni: marionette e danza in Nudità (2020). In 2021, Cuntami, the movie about him, participated at the Venice Film Festival in the section Giornate degli autori.
Declaration
film director
“In this documentary, Mimmo Cuticchio becomes a clear-eyed and detached narrator. Like Virgil, he guides us through this highly original transposition of Hell, in a Sicilian context in which the wonder and “frivolity” of the puppets present Dante’s tale with unusual undertones, making it up-to-date and, at the same time, universal. In this work, Mimmo Cuticchio’s Opera dei Pupi, the figurative consistency of Daniele Ciprì, and the music by Giacomo Cuticchio create a surprising symbiosis, an original scenic reality. The images show unexplored territories, filtered by the dreamlike gaze of the director Mimmo Cuticchio. The story of the damned evolves through the verses recited by the actor Alfonso Veneroso and Mimmo Cuticchio’s storytelling, which evokes a colorful imagery. Like a silent movie, the 16 stories created by Cuticchio take form from beginning to end inside the small proscenium of the puppets and on the big stage, according to the set design and the free-wheeling imagination of the story-telling puppeteer.”
