BOBBY YEAH

30° TORINO FILM FESTIVAL
CONFIDENTIAL REPORT

BOBBY YEAH

BOBBY YEAH
by Robert Morgan
Country: UK
Year: 2011
Duration: 23'


You can’t say that Bobby Yeah, an anthropomorphic monstrosity with a body covered in rags and the face of a deformed humanoid, leads a very varied life. His monotonous days are spent kidnapping animals, which he takes to his ramshackle room and mistreats. And yet this bizarre routine seems to satisfy him. At least until one day he has the awful idea of stealing the puppy that belongs to some dangerous individuals, who look even odder than he does and who are, if possible, even more brusque than him. Is Bobby Yeah finally about to receive his come-uppance?

Biography

film director

Robert Morgan

Robert Morgan grew up in the cursed (according to what people say) city of Yateley, England, where as a child he developed a passion for horror movies. He studied animation filmmaking at the Surrey Institute of Art and Design and debuted in 1997 with the animated short The Man in the Lower - Left Hand Corner of the Photograph, which won numerous prizes on the festival circuit, as did his next film, The Cat with Hands (2001), which was financed by Channel 4. His film The Separation (2003), besides winning several prestigious international prizes, also gave Morgan what he considers the biggest sign of appreciation: a spectator fainted during the projection of the film. He next directed Monsters (2004), which was presented at the 2004 Edinburgh International Film Festival; Overtaken (2009); and Bobby Yeah (2011).

FILMOGRAFIA

The Man in the Lower-Left Hand Corner of the Photograph (cm, anim., 1997), The Cat with Hands (cm, anim., 2001), The Separation (cm, anim., 2003), Monsters (cm, 2004), Overtaken (cm, 2009), Bobby Yeah (cm, anim., 2011).

Declaration

film director

“I’m not sure where my work comes from. I’ve always liked horror films, and I suppose when I was a kid I liked lifting up rocks to see what was underneath – maybe it’s an extension of that. I’m certainly not a dark kind of person. It’s not like I sit in some Gothic mansion drinking Absinthe and thinking this stuff up. I just like to make films about these fleshy abominations having a really bad time. I don’t know why.”

Cast

& Credits

regia, sceneggiatura, produttore/director, screenplay, producer Robert Morgan fotografia/cinematography Charlotte Steeples, Marcus Waterloo
musica, suono/music, sound ZnO
produzione/production Swartz Can Talk, BlueLight
distribuzione, vendita all’estero/distribution, world sales BlueLight
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