Country: USA
Year: 1948
Duration: 133'
Texas, 1851. The cattle farmer Tom Dunson, his friend Groot, and an orphaned boy, Matt, settle in an isolated area to raise a herd of cattle. Fifteen years later, Tom has become a wealthy and powerful man but he has also changed: his former generosity has disappeared and been replaced by a harshness that he vents primarily on Matt, who Tom considers his putative son. During the long and dangerous journey to herd ten thousand head of cattle, Matt and the other cowboys rebel against Tom's authority and seize control of the herd. Once they get to the city, father and stepson find themselves on the verge of a violent conflict but Matt's fiancee reminds the two rivals of the long-standing affection they share.
Biography
film director
Howard Hawks
University and moved to Los Angeles, where he entered the world of cinema as a prop master at the Famous Players-Lasky. Hired by Paramount in 1922 as a screenwriter, he debuted in directing at Fox in 1926 and had his first big success thanks to the producer Howard Hughes, who chose him to direct Scarface, Shame of the Nation (1932). One of the top directors during the golden age of Hollywood, he was famous for his eclectic genres and masterly use of the classic style, alternating comedies (Bring Up Baby, 1938; I Was a Male War Bride, 1949), noir (The Big Sleep, 1946), Westerns (Red River, 1948, Rio Bravo, 1959), war movies (Air Force, 1943), and musicals (Gentlemen Prefer Blondes, 1953). He received an Oscar for Lifetime Achievement in 1975.
FILMOGRAFIA
The Road to Glory (Bolidi in corsa, 1926), Fig Leaves (Le disgrazie di Adamo, 1926), The Cradle Snatchers (Amanti per burla, 1927), Paid to Love (Passione di principe, 1927), Fazil (Oasi dell’amore, 1928), A Girl in Every Port (Capitan Barbablù, 1928), The Air Circus (La via delle stelle, 1928), Trent’s Last Case (L’affare Manderson, 1929), The Dawn Patrol (La squadriglia dell’aurora, 1930), The Criminal Code (Codice penale, 1931), The Crowd Roars (L’urlo della folla, 1932), Scarface, Shame of the Nation (Scarface - Lo sfregiato, 1932), Tiger Shark (Le tigri del Pacifico, 1932), Today We Live (Rivalità eroica, 1933), The Prizefighter and the Lady (L’idolo delle donne, 1933), Viva Villa! (id., 1934), Twentieth Century (Ventesimo secolo, 1934), Barbary Coast (La costa dei barbari, 1935), Ceiling Zero (Brume, 1936), The Road to Glory (Le vie della gloria, 1936), Come and Get It (Ambizione, 1936), Bringing Up Baby (Susanna!, 1938), Only Angels Have Wings (Avventurieri dell’aria, 1939), His Girl Friday (La signora del venerdì, 1940), The Outlaw (Il mio corpo ti scalderà, 1941), Sergeant York (Il sergente York, 1941), Ball of Fire (Colpo di fulmine, 1941), Air Force (Arcipelago in fiamme, 1943), To Have and Have Not (Acque del sud, 1944), The Big Sleep (Il grande sonno, 1946), Red River (Il fiume rosso, 1948), A Song Is Born (Venere e il professore, 1948), I Was a Male War Bride (Ero uno sposo di guerra, 1949), The Thing from Another World (La cosa da un altro mondo, 1951), The Big Sky (Il grande cielo, 1952), O. Henry’s Full House (La giostra umana, 1952), Monkey Business (Il magnifico scherzo, 1952), Gentlemen Prefer Blondes (Gli uomini preferiscono le bionde, 1953), Land of the Pharaohs (La regina delle piramidi, 1955), Rio Bravo (Un dollaro d’onore, 1959), Hatari! (id., 1962), Man’s Favorite Sport? (Lo sport preferito dall’uomo, 1964), Red Line 7000 (Linea rossa 7000, 1965), El Dorado (id., 1966), Rio Lobo (id., 1970).
Cast
& Credits
DIRECTOR, PRODUCER: Howard Hawks. STORY: Borden Chase, from an article in The Saturday Evening Post. SCREENPLAY: Borden Chase, Charles Schnee. CINEMATOGRAPHY: Russell Harlan. EDITING: Christian Nyby. MUSIC: Dimitri Tiomkin. PRODUCTION DESIGN: John Datu. CAST: John Wayne, Montgomery Clift, Joanne Dru, Walter Brennan, Coleen Gray, Harry Carey, John Ireland, Noah Beery Jr., Harry Carey Jr. PRODUCTION: Monterey Productions.
