Country: France
Year: 1986
Duration: 17'


"I took a little industrial film, which was fun, with Rufus, for the Société Lyonnaise de Banque. Each one of these films has been such an incredible invitation to see another little corner of the world. Each time I go into one of these other directions the people from before say to me: 'Robert, comment t'as fait ça?' All the time it was like that. Anyway it was a nice film and it won a big prize at Biarritz. It was the only time I've ever used a steadycam. Again, these commandes have always been the opportunity to say, 'Well, hey, let's shoot the whole film in steadycam'. That was how much it was worth. I never thought too highly of the steadycam and I certainly didn't think more of it after that movie, but it was useful" (Robert Kramer, 1997).

Biography

film director

Robert Kramer

Robert Kramer was born in New York in 1940. He studied philosophy and Western European History at Swarthmore College and Stanford University. He has written two unpublished novels, numerous poems, plays and short stories. In 1965 he organized the Newark Community Project (N-CUP) in an African-American community. He worked as a reporter in Latin America for various American publications. He worked with Peter Gessner on a film on the guerrilla movement in Venezuela. In 1966 he created Alpha 60 with Norman Fruchter, Robert Machover, Peter Gessner, and Mike Robinson. It was a sort of free cooperative of director-producers who later were channelled into the Newsreel movement, which Kramer helped found and organize. Kramer's Newsreel experience lasted from 1967 to 1971, during which about sixty short- and middle-length films were produced - documentaries, films of struggle, and agitation films. In the early 1980's he moved to Europe, and he currently is living and working in Paris.

FILMOGRAFIA

Regista/Director: Faln [Faln, 1965, In the Country [In campagna, 1966], The Edge [Il margine, 1967], Ice (id., 1969), People's War [La guerra del popolo, 19691, Milestones [Pietre miliari, 1975], Scenes from the Class Struggle in Portugal (Scene di lotta di classe dal Portogallo, 1979), Guns (Fucili, 1980), Un grand jour (en France) - Naissance [A Great Day (in France) - Birth / Un gran giorno (in Francia) - Nascita, 1981], A toute allure [As fast as you can / A tutta velocità, 1982], La peur [The fear / La paura, 1983], Sarkis al Woodrow Wilson - Musée d'Art Moderne [Sarkis at Woodrow Wilson - Museum of Modern Art / Sarkis at Woodrow Wilson - Museo d'Arte Moderna, 1984], Notre nazi / Unser Nazi [Our Nazi / Il nostro nazista, 1984], Diesel [Diesel, 1985], Un plan d'enfer [A Plan of Hell / Un piano infernale, 1986], X-Country [X-Country, 1987, inedito], Doc's Kingdom [Il regno di Doc, 1987], Route One / USA [Route One / USA, 1989], Dear Doc [Caro Doc, 1989, inedito], Maquette (brouillon de film) [Scale model (Draft of a Film) / Modello (Abbozzo di film) , 1990, inedito, incompiuto], Berlin 10/90 [Berlin 10/90, 1990-91], Sous le vent [Leeward / Sottovento, 1991], Series of Videoletters: Steve Dwoskin / Robert Kramer [Serie di videolettere: Steve Dwoskin / Robert Kramer, 1991, inedito], Ecrire contre l'oubli: pour Fidel Intrusca Fernández, Pérou [Writing against forgetting: for Fidel Intrusca Fernández, Peru / Scrivere contro l'oblio: per Fidel Intrusca Fernández, Perù, 1991], Point de départ / Starting Place (Starting Place / t.l. Punto di partenza, 1993), La Roue: Greg Lemond - Andrew Hampsten [The Wheel: Greg Lemond - Andrew Hampsten / La ruota: Greg Lemond - Andrew Hampsten, 1993], Walk the Walk [Walk the Walk, 1996], Le Manteau / Der Mantel [The Mantle / Il manto, 1996], Ghosts of Electricity [Fantasmi dell'elettricità, 1997].
Attore, sceneggiatore / Actor, screenwriter: Gestos e fragmentos (Gestures and Fragments / Gesti e frammenti, 1980-82) di Alberto Seixas Santos, Der Stand der Dinge (The State of Things, Lo stato delle cose, 1981) di Wim Wenders.

Cast

& Credits

Director: Robert Kramer
Screenplay: Robert Kramer, Philippe Rigout, Claude Villers da un'dea originale di Philippe Rigout.
Dialogues: Claude Villers.
Director of photography: Ramon Suarez.
Editor: Christine Aya.
Music: Daniel Humair, François Jeanneau, JeanFrançois Kenny Clark.
Sound: Olivier Schwob.
Cast and characters: Rufus (Francis Terrier), Christine Amat (informatica), Diane Bellego (Marie Laurie), Pierre Bonzans (direttore generale), M.me Borius (se stessa), Emmanuelle Clove (rappresentante del personale), Daniel Darnault (direttore scientifico).
Produttore delegato: Jean Cier.
Production company: Agence de Films Techniques et d'Informations (A.F.T.I.) per Société Lyonnaise de Banque.
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