23° TORINO FILM FESTIVAL
Claude Chabrol

Les fantômes du chapelier

The Hatter's Ghost
by Claude Chabrol
Country: France
Year: 1982
Duration: 120'


The hatter Labbé has killed his wife and has put a mannequin in the window to make it look like his wife is still alive. But he ends up having to kill another woman to keep the crime a secret and, in the end, is caught by the police.
"I'm not interested in the intrigues, or rather, I'm interested in them the way Simenon does them, the moment characters meet. Their relationships construct an intrigue that wasn't there before. […] I love to take certain characters and see what can happen to them." (C. Chabrol)
"But in Labbé's case, in The Hatter's Ghost, it's different. First of all, he isn't a real person. He's one of the pride and joys of a society which he doesn't have any intention of leaving. He absolutely mustn't let on that he has been jilted. Like someone with cancer. Everything takes place following a perfectly normal logic, a logic that is one of the foundations of society, which makes people commit totally useless crimes, because they don't cause any change. The situation remains the same." (C. Chabrol)

Biography

film director

Claude Chabrol

Claude Chabrol (Paris, France, 1930) spent his childhood at Sardent in Creuse, and right from an early age showed interest in detective stories and cinema. He founded the town’s first film club when he was 13. After the war he moved to Paris and enrolled in Arts and Letters, where he was able to cultivate his passion for cinema. After meeting his contemporaries Truffaut, Godard, Rohmer and Rivette, he began working as a film critic for the magazines “Revue du Cinéma” and “Cahiers du Cinéma.” As a critic, Chabrol developed a precise aesthetic view with the idea of becoming a director himself. To this end, his interest in the cinema of Alfred Hitchcock was of fundamental importance and Chabrol dedicated a famous monograph to him and with Rohmer in 1957. As opposed to his film critic colleagues, who were all destined to become authors of the nouvelle vague, before becoming a director Chabrol never worked as assistant director, nor did he make any short films. He debuted straight off directing the full-length film Le Beau Serge (1959), which was made thanks to an unexpected inheritance his wife. The summer of 1960 he directed Les Cousins, the second film of a lengthy filmography which proceeded at the rate of almost one film a year, lasted four decades and in the end numbered over 50 films (the last is L’Ivresse du pouvoir, 2006). 

FILMOGRAFIA

Le Beau Serge (id., 1958), Les Cousins (I cugini, 1959), À double tour (A doppia mandata, 1959), Les Bonnes femmes (Le donne facili, 1960), Les Godelureaux (I bellimbusti, 1961), Les Sept péchés capitaux (ep. L’Avarice, I sette peccati capitali, ep. L’avarizia, 1962), L’OEil du malin (1962), Ophélia (id., 1963), Landru (id., 1963), Les Plus belles escroqueries du monde (ep. L’homme qui vendit la Tour Eiffel; Le più belle truffe del mondo, ep. L’uomo che vendette la Torre Eiffel, 1964), Le Tigre aime la chair fraiche (La Tigre ama la carne fresca, 1964), Paris vu par (ep. La Muette, 1965), Marie-Chantal contre docteur Kha (Marie Chantal contro il dr. Kha, 1965), Le Tigre se parfume à la dynamite (La Tigre profumata alla dinamite, 1965), La Ligne de démarcation (1966), Le Scandale (Scandale - Delitti e champagne, 1967), La Route de Corinthe (Criminal Story, 1967), Les Biches (Les Biches - Le cerbiatte, 1968), La Femme infidèle (Stéphane, una moglie infedele, 1969), Que la bête meure (Ucciderò un uomo - Hallucination, 1969), Le Boucher (Il tagliagole, 1969), La Rupture (All’ombra del delitto, 1970), Juste avant la nuit (1971), La Décade prodigieuse (Dieci incredibili giorni, 1971), Docteur Popaul (Trappola per un lupo, 1972), Les Noces rouges (L’amico di famiglia, 1973), Nada (Sterminate «Gruppo Zero», 1974), Nouvelles de Henry James (ep. De Grey; Le Banc de la désolation, TV, 1976), Histoires insolites (ep. Monsieur Bébé; Nul n’est parfait; Une invitation à la chasse; Les Gens de l’été, TV, 1974), Une partie de plaisir (Una gita di piacere, 1975), Les Innocents aux mains sales (Gli innocenti dalle mani sporche, 1975), Les Magiciens (Profezia di un delitto, 1976), Folies bourgeoises (Pazzi borghesi, 1976), Madame le juge (ep. 2+2=4, TV, 1977), Alice ou la dernière fugue (1977), Les Liens du sang (Rosso nel buio, 1978), Violette Nozière (id., 1978), Il était un musicien (ep. Monsieur Liszt; Monsieur Prokofiev; Monsieur Saint- Saëns, TV, 1978), Histoires insolites (La Boucle d’oreille, TV, 1979), Fantômas (ep. L’Echafaud magique; Le Tramway fantôme, TV, 1980), Le Cheval d’orgueil (1980), Le Système du docteur Goudron et du professeur Plume (TV, 1981), Les Affinités électives (TV, 1981), M. le maudit (TV, 1982), La Danse de mort (TV. 1982), Les Fantômes du chapelier (I fantasmi del cappellaio, 1982), Le Sang des autres (Il sangue degli altri, 1984), Poulet au vinaigre (1985), Inspecteur Lavardin (Ispettore Lavardin, 1986), Masques (Volto segreto - Masques, 1986), Le Cri du hibou (Il grido del gufo, 1987), Une affaire de femmes (Un affare di donne, 1988), Les Dossiers secrets de l’inspecteur Lavardin (ep. L’Escargot noir; Maux croisés TV, 1988), Jours tranquilles à Clichy (Giorni felici a Clichy, 1990), Dr. M (Doctor M, 1990), Madame Bovary (id., 1991), Betty (id., 1992), L’OEil de Vichy (1993), L’Enfer (L’inferno, 1994), La Cérémonie (Il buio nella mente, 1995), Cyprien Katsaris (TV, 1996), Rien ne va plus (id., 1997), Au coeur du mensonge (Il colore della menzogna, 1999), Merci pour le chocolat (Grazie per la cioccolata, 2000), Les Redoutables (ep. Coup de vice, TV, 2001), La Fleur du mal (Il fiore del male, 2003), La Demoiselle d’honneur (2004), L’Ivresse du pouvoir (2006). 

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