There
are many ways to live in a house, many
ways to be at home, to stay with one's family. There are
memories, traces,
archives. Some relatives take us into their homes and the homes lead us
to
family movies. We returned to these homes, which are so frightening to
our
characters. They run away from their homes, sometimes they hedge around
them as
though they were a fantasy, frightened by the reality they hide.
Biography
film director
Arnaud Larrieu
Arnaud
and
Jean-Marie
Larrieu (Lourdes, France, 1965 and 1966) fell in love with
cinema thanks to
their grandfather; as adolescents, they got into the habit of filming in Super8.
Starting in the mid
1980’s, the Larrieu brothers made a few short films which won
numerous
recognitions at international festivals, and in 1999 debut with their
first
full-length film, Fin
d’été. In 2003 they realized Un
Homme en vrai, selected at the Torino Film Festival, followed
in 2005 by Peindre
ou faire l’amour (2005), in competition at the last
FILMOGRAFIA
Temps couvert (cm, 1988), Les Baigneurs (cm, 1991), Ce jour-là (cm, 1992), Bernard ou les apparitions (cm,1993), Fin d’été (1999),
Jean-Marie Larrieu
Arnaud
and
Jean-Marie
Larrieu (Lourdes, France, 1965 and 1966) fell in love with
cinema thanks to
their grandfather; as adolescents, they got into the habit of filming in Super8.
Starting in the mid
1980's, the Larrieu brothers made a few short films which won
numerous
recognitions at international festivals, and in 1999 debut with their
first
full-length film, Fin
d'été. In 2003 they realized Un
Homme en vrai, selected at the Torino Film Festival, followed
in 2005 by Peindre
ou faire l'amour (2005), in competition at the last
FILMOGRAFIA
Temps couvert (cm, 1988), Les Baigneurs (cm, 1991), Ce
jour-là (cm, 1992), Bernard ou les apparitions (cm,1993),
Fin d'eté (1999), La Brèche de Roland (mm, 2000),
Madonna à Lourdes (2001), Un homme, un vrai (2003).