Nine-year-old Emma is a curious and imaginative girl who loves unicorns, spaceships, and Christmas trees. She lives in an unconventional family: her mother Sara, passionate about molecular gastronomy; her brilliant grandmother Loredana; and her father Leo, a strict science teacher increasingly worried about the imaginary world his daughter takes refuge in. As her parents edge toward separation and struggle to understand her, Emma finds comfort in Mojito, her imaginary friend who helps her cope with an emotionally unstable reality. Meanwhile, Bob—Leo’s childhood imaginary friend—reappears in his life to reconnect before disappearing forever.
Biography
film director

Antonia Liskova
(Slovakia) moved to Italy at the age of eighteen and began her career as a model before moving into film and television. After an early appearance in the TV series Le ragazze di Piazza di Spagna (1998), she made her big-screen debut in 2000 in Carlo Verdone’s C’era un cinese in coma (2000). She established herself primarily on television, appearing in series such as Via Zanardi, 33, Sospetti, Il cuore nel pozzo, L’uomo sbagliato, Tutti pazzi per amore, Le cose che restano, Nero a metà, La porta rossa, Il Patriarca and Mai per amore, directed by Liliana Cavani. Her film credits include La banda dei Babbi Natale, Una donna per amica, A Tor Bella Monaca non piove mai and I cassamortari. Il mio nemico immaginario marks her directorial debut.
FILMOGRAFIA
Il mio nemico immaginario (2026).
Declaration
film director
“The idea for this film came from a deep reflection during a moment of boredom. That wonderful feeling when your eyes fix on a small crack in the ceiling, your mind slips inside it and begins to wander, free from every earthly burden, free to imagine the impossible. After all, as my grandmother used to say, something only becomes impossible the moment you start to see it as such. That damned witch – because she really was one – taught me to live free to believe in everything, and I’ve never stopped doing so.”


