A remote village in northeastern Germany, ten days before the end of the Second World War. Most of the men are at the front; those who remain are a handful of women, children, and the few men allowed to stay behind the lines: a mayor, a priest, a teacher. Everyone still believes the war will end well. Then the river gives up bodies no one can identify. No one knows when the enemy will arrive, or what will happen when it does. Finally, an order comes: “No living Germans for the enemy to find.” Everyone is left alone to face the same dilemma: keep living without knowing what comes next, or obey the order and put an end to it all, simply to have the certainty of something?
Biography
film director

Tony Vahl
(Germany), a GDR-born filmmaker, is based between Berlin and Warsaw, working as a director and writer. She studied psychology and art before turning to directing at Film University Babelsberg Konrad Wolf. There she made her short graduation film Pein, which was nominated for the German Short Film Award and won the Golden Horseman at Dresden Film Festival. Her short films Gömböc, which premiered at Locarno Film Festival, and Unter Null, winner of the Grand Prix at Bristol Film Festival and an Oscar-qualifying entry, followed. KRUX is her debut feature.
FILMOGRAFIA
Gömböc (cm, 2010), Of Girls and Horses (cm, 2011), Unter Null (tv, 2011), Pein (cm, 2014), Krux (2026).
Declaration
film director
“I wanted to tell this story because of the German word “Kadavergehorsam” – corpse-like obedience. Obedience so total that a person stops being a person, and just follows orders, like a body without a will. This frightens me. A state trained people to give up their own will completely – their body, their voice, even their right to ask ‘why,’ claiming power over the bodies of its inhabitants.”


