Day by Day:
By Section:
By Title
by Daphné Hérétakis
Greece (2012, 5')
TFFDOC/DOCUMENTI
All media, including cinema, are hugely responsible for a crisis that goes beyond politics and money. In Greece it is hard to distinguish between the proverbial feces and the media ventilator that spreads the stench. There will always be shit, this is a search for a different ventilator.
by Koji Wakamatsu
Japan (2012, 120')
TORINO XXX
A faithful and articulated reconstruction of
the events which led to the ritualistic and “political” suicide of the author
Yukio Mishima in 1970. The second-to-the-last film by the great Koji Wakamatsu,
a profound and detached dissection of Japan’s history, the other face of United
Red Army and the second chapter of an ideal diptych. Essential and complex,
suave and cutting. In its own way, enigmatic.
by Matt Ross
USA (2012, 82')
FESTA MOBILE
They meet in a hotel and spend the night together: the first of 28 adulterous and secret rendezvous, in a crescendo of complications, mounting jealousies, and complex relationships. The impossibility of sex without involvement and the hypocrisies of emotions, told in a flow of words that are both light-hearted and intense, in a series of frigid non-places. The debut film by actor Matt Ross.
by Miguel Gomes
Portugal (2001, 27')
ONDE/MIGUEL GOMES
April 1974: a boy and a girl play tennis; on
the other side of the fence, they discover a world that is new to them. The
Carnation Revolution according to Miguel Gomes, in a semi-serious political film,
part slapstick, part home movie and with a focus on newsreels of the time.
by Philippe Rouy
France (2012, 47')
TFFDOC/INTERNAZIONALE.DOC
In June 2011, as a sign of transparency, TEPCO
installed a live webcam at the Fukushima nuclear reactor and it revealed the
extent of the disaster: a window onto the spectral landscape of an
apocalyptical future, populated by creatures straight out of the imagery of Honda
Ishirō. But the unexpected gesture of a workman, facing the camera, reminds us where
we are and what our responsibilities are.
by Miguel Gomes
Portugal (2004, 108')
ONDE/MIGUEL GOMES
“Until you’re thirty, you have the face God
gave you; after that, you have the face you deserve.” This is what they all
tell Francisco on the day he turns thirty. In the meantime, he wanders around
the party dressed like a cowboy, as though he were one of the children he
teaches but can’t stand. Adulthood, between mystery and adventure, in search of
a story to interpret, among the many which were learned as children. Including
love.
by Joseph Losey
USA (1941, 18')
JOSEPH LOSEY
Three of Losey’s first films: made for the
World’s Fair in 1939, the story of a drop of oil which wants to prove to the
world how indispensable it is; a documentary about a summer camp which brings
together children of all races and nationalities; and an episode from a
detective series which tells the cautionary story of a corrupt policeman.
by Joseph Losey
UK (1973, 106')
JOSEPH LOSEY
Nora did something illegal in the past to help
her husband. Many years later, she continues to be the “doll” of the house. But
the past returns and Nora changes. Based on Ibsen, with a screenplay by David
Mercer, a film which has echoes of feminism and the social commitment of its
star, Jane Fonda. “To me, Nora is a woman who does what she wants in a man’s
world; Jane struck me as the ideal actress.”
by Joseph Losey
USA (1945, 19')
JOSEPH LOSEY
Three of Losey’s first films: made for the
World’s Fair in 1939, the story of a drop of oil which wants to prove to the
world how indispensable it is; a documentary about a summer camp which brings
together children of all races and nationalities; and an episode from a
detective series which tells the cautionary story of a corrupt policeman.
by Bill Jones, Jeff Simpson, Ben TImlett
UK (2012, 85')
FESTA MOBILE
Based on the fake autobiography of the Python
Graham Chapman (who died in 1989), here is the delirious story of his life,
reconstructed through the efforts of fifteen different groups of animators into
a surreal and irresistible collage: from medical school, to his coming out, to
his kidnapping by aliens. With Cleese, Gilliam, Jones and Palin, playing
themselves and many other characters.
by Joseph Losey
UK (1955, 29')
JOSEPH LOSEY
Two shorts from Losey’s English period: the
first, produced by Hammer Films, is about a robbery and a robber’s getaway; the
second is a promotional documentary for the Ford Motor Company.
by João Pedro Rodrigues, João Rui Guerra da Mata
Portugal (2012, 85')
TFFDOC/INTERNAZIONALE.DOC
“Thirty years later, I’m on my way to Macao,
where I haven’t been since I was a child. I received an e-mail from Candy, a
friend I hadn’t heard from in a long time. She told me she was mixed up with
the wrong people again. She was in danger and she was asking me to join her.”
Beyond the confines of a documentary, in search of the perfect Film Noir, made
of places, gazes and secrets, where memory is a mysterious island you might
never return from.
by Lee Isaac Chung
USA (2012, 80')
ONDE
Abigail (Amanda Plummer) is getting on in
years; she warms her solitude by wearing the cloak of the good Samaritan,
taking care of her father and the blind (Burt Young). Love – the real thing –
arrives like an “angel,” a gift from a down-and-out fellow (Will Patton). A tender
apologue about dependence and freedom, soul searching and communion with the
world, which the Asian-American Lee Isaac Chung (whose film Lucky Life is also
in Waves) has based on a Korean legend.
by Joseph Losey
UK (1967, 105')
JOSEPH LOSEY
One night, two young men are in a car wreck
near the house of one of their professors, who reconstructs their life over the
last few weeks. Even more agonizing than The Servant, a merciless portrait of
the grudges, jealousies and subtle desperation hidden below the peaceful
surface of Oxford life. Pinter’s screenplay is right on target, the
friends-rivals Bogarde and Baker are very sharp, the “prey” Jaqueline Sassard
is impenetrable.
by Matti Harju
Finland (2012, 9')
ONDE
Something has snapped inside of Glenn: the
confusion of sounds, voices and thoughts he hears frightens him and his only
friend, who doesn’t know how to help him… A reflection on psychosis, lucid and
appalling, an empathetic disconnection from the perception of reality.
by Michel Balague
Greece (2011, 3')
TFFDOC/DOCUMENTI
All media, including cinema, are hugely responsible for a crisis that goes beyond politics and money. In Greece it is hard to distinguish between the proverbial feces and the media ventilator that spreads the stench. There will always be shit, this is a search for a different ventilator.
by Stephen Dwoskin
UK (2012, 72')
ONDE
The slow movements, the half-awake condition of
memory: the feeble resistance of time in an elegy to old age. The film
testament of Stephen Dwoskin (who died on June 28th, 2012) is a
legacy of tenderness to a world which is hanging on to the margins of
existence. Beyond the pain and the memories, in the persistence of the present.
Filmed (in part) by filmmakers who were close to him and with music by Alexander
Balanescu.
by Pola Beck
Germany (2012, 86')
TORINO 30
26-year-old Lara is restless and dissatisfied;
she spends her nights roaming clubs with her friend Nora. One day, she realizes
she is pregnant after having had some
occasional sex and has to decide whether or not to keep the baby. An all-female
drama, with dry and measured tones, a story of solitude, maturity and
maternity, without sidestepping doubt, pain and tenderness.
by Felice Cappa
Italy (2012, 90')
FESTA MOBILE
Mocking and histrionic, Hamlet sits on the
throne, dressed like a woman. With him are a boy and a girl, who the prince
touches and caresses, abandoning himself to an overwhelming flow of verbosity.
A monologue or not a monologue? Oof! Shakespeare and Petrolini, blood on the
stage, the queen with legs akimbo, Ophelia and Lucio Battisti. In 3D, the cult
show written and performed by Filippo Timi.
by Roland Sejko
Italy (2012, 80')
TFFDOC/PROIEZIONE SPECIALE
In early March 1991, a number of ships laden
with men, women and children appeared off the Adriatic coast of southern Italy.
It was the beginning of the so-called “Exodus of the Albanians.” Never before
in the post-war period had a mass emigration of such proportions taken place.
Who were they? What were they running away from? And where are they today, 20
years later?
by Luca Magi
Italy (2012, 55')
TFFDOC/ITALIANA.DOC
Anita is a film of encounters and timeless
characters, met during the course of the imaginary journey of Guido and Anita,
the lovers and protagonists of the unpublished screenplay by Fellini, Viaggio
con Anita. A hypnotic trip back to the
childhood of a secret Italy, the subconscious of a country, safeguarded in old
super8 movies that had been forgotten in the attic.
by Joe Wright
UK (2012, 130')
FESTA MOBILE
Sumptuous, crazy, supremely kitsch, the
literary adaptation you wouldn’t expect: the tragic story of Tolstoy’s heroine,
encapsulated on a stage that expands and deforms itself until it envelopes the
streets of Moscow and balls at the Imperial palace. Somewhere between Baz
Luhrmann and Kenn Russell, a pop piece directed by Joe Wright and written by
Tom Stoppard (Shakespeare in Love), starring Keira Knightley, Jude Law and
Aaron Johnson.
by Miguel Gomes
Portugal (2008, 150')
ONDE/MIGUEL GOMES
Village celebrations, karaoke, fireworks, wild
boar hunting, diving off the bridge, the loves which are consummated in the one
month of the year when Portugal’s inland regions are repopulated. Part
anthropologist and part storyteller, Gomes captures the soul of his country,
transforming a small innocent world into a universe of faces, places and
stories to be told.
by Alessandro Scippa
Italy (2012, 61')
ONDE
Arianna uses thread to sew clothes. Her
boyfriend, Adolfo, keeps bees which fly away. He loves her deeply but he feels
a growing need to go away. She waits for his presence to become an absence,
holding within the breath of love. A film about the nostalgia that already
inhabits a house that will soon be left, written with patient yet taut
gestures, reminiscent of Garrel, with break-ups and embraces that give no
respite to love.
by Humberto Lopez Y Guerra
Sweden (1979, 61')
FESTA MOBILE/CLASSICS
The debut film by the co-founder of “panic
cinema” is a delirium of Francoism and Oedipus (only for the strong of stomach,
and not recommended to animal activists); it depicts a childhood between
imagination and reality, surrealism and scatology, against every type of
dictatorship. The drawings of the opening credits are by Roland Topor. The film
is paired with the rare documentary portrait from 1979 that Humberto López y
Guerra dedicated to the artist.
by Dante Ariola
USA (2012, 101')
TORINO 30
Dissatisfied, divorced, with an adolescent son
who doesn’t even want to see him, a man abruptly decides to change his life. He
buys a false identity and disappears. On his way, he meets a girl with a lot of
problems. Colin Firth and Emily Blunt in the bitter, moving and sometimes funny
story of an existential adventure that has tempted us all. By debut director
Dante Ariola.
by Guillaume Cailleau, Ben Russell
Greece (2011, 8')
TFFDOC/DOCUMENTI
All media, including cinema, are hugely responsible for a crisis that goes beyond politics and money. In Greece it is hard to distinguish between the proverbial feces and the media ventilator that spreads the stench. There will always be shit, this is a search for a different ventilator.
by Iveta Grófová
Czech Republic (2012, 84')
TORINO 30
Dorota lives in a village in Slovakia with her
family and makes plans with her boyfriend. The local unemployment situation forces
her to look for a job in the Czech Republic, where she works shifts in a
textile factory and renounces all her dreams. Suspended between her stubborn
refusal to give in, resignation and a glimmer of hope, the first movie by
documentary filmmaker Iveta Grófová deals head-on with a theme of vital
relevance.
by Yousry Nasrallah
Egypt (2012, 122')
TORINO XXX
After the clashes in Tahir Square on 2/2/2011,
a wealthy and modern-thinking revolutionary woman and a poor and manipulated man
develop a strong relationship. Yousry Nasrallah (at the 2004 TFF with La porte
du soleil) depicts the Arab spring in a nervous and direct style, influenced by
documentary filmmaking and Rossellini’s neorealism, and with a strictly
“insider’s” viewpoint.
by Katrin Olafsdottir
Iceland (2012, 10')
ONDE
The dreams, memories amd projections of a man
and a boy bring to life a free-wheeling kaleidoscope of images and fragments in
super8, reflections on the impossibility of completely opening up to reality.
Or, on the contrary, on the possibility of taking flight and disappearing.
by Terrence Malick
USA (1973, 95')
FIGLI E AMANTI
After a young couple kills the girl’s father,
the two make a bloody getaway into the badlands, the savage deserts of South
Dakota. Terrence Malick’s first movie recounts with scathing lucidity the false
rebelliousness and the recklessness of a generation, unique in its visionary,
ironical and detached view. A gem of American cinema, starring Martin Sheen and
Sissy Spacek.
by Jong-Bin Yoon
Korea (2012, 133')
FESTA MOBILE
An unrelenting tempo for a gangster story with
a grand, uncommon role for the Korean actor Choi Min-sik (in a star turn) as a
corrupt customs officer in the underworld of the 1980s. By the director of The
Unforgiven, a huge success at home, where the film was compared to gangster
movies by Martin Scorsese (above all, Goodfellas). And rightly so.
by Pablo Berger
Spain (2012, 104')
FESTA MOBILE
Spain, the 1920s. Carmen is the daughter of a
former bullfighter who has gotten remarried to ambitious Encarna. To escape her
stepmother’s tyranny, Carmen runs away with a group of dwarf bullfighters. The
story of Snow White, transformed into a spectacular, silent melodrama in black
and white by Pablo Berger, who had been nursing the project for many years but
was only able to make it after the success of The Artist.
by Ken Jacobs
USA (2012, 57')
TFFDOC/DOCUMENTI
Ken Jacobs, a master of the American avant-garde,
recounts Zuccotti Park and Occupy Wall Street. An attempt to make an abstract
film about City Hall’s fountain becomes an ironic and mocking letter to Mayor
Bloomberg and his “army” of policemen. All this, by bending the highest
expression of Hollywood spectacles - 3D - to the reasons of art and direct
action.
by Joseph Losey
UK (1958, 95')
JOSEPH LOSEY
A young, penniless, Dutch painter goes to the
apartment where he usually meets his lover; instead, the police show up and
accuse him of having killed the woman. A merciless noir about non-involvement,
the relations between the classes and bourgeois cynicism; a claustrophobic
voyage back in time and into the tricks of memory and perception. Losey’s first
film with Stanley Baker.
by Robert Morgan
UK (2011, 23')
RAPPORTO CONFIDENZIALE
It’s as if Svankmajer had helped Lynch direct
an episode of Wallace & Gromit: a fantastically disgusting short, a
surrealistic nightmare with stop-motion puppets. Seeing is believing!
by Joseph Losey
UK (1968, 113')
JOSEPH LOSEY
A rich serial divorcée who lives in a small
fort on an island is visited by a mysterious poet-playboy. A screen adaptation
of Tennessee Williams’ play The Milk Train Doesn’t Stop Here Anymore, a pompous
drama which John Waters loved, with a bejeweled Liz Taylor and Richard Burton
in a black kaftan (their marriage was going through a stormy period). Consider
it a delirium of camp and you’ll have a great time.
by Mikael Marcimain
Sweden (2012, 140')
TORINO 30
Stockholm, 1976: two fourteen-year-old inmates
at a detention center for minors are recruited by a prostitution ring
frequented by politicians and diplomats. Based on a true scandal, the film is
both a personal drama and a political thriller, with overtones of the vintage
aesthetics of Tinker Tailor Soldier Spy and the moral rectitude of All the
President’s Men. With an unbridled Pernilla August in the role of the Madam.
by Miguel Gomes
Portugal (2006, 24')
ONDE/MIGUEL GOMES
2005: a street singer in Assisi sings the
Canticle like a ballad. 1212: Francesco, who has lost his memory, is cared for
by Chiara. Using frames from old documentaries, creatures of every species sing
the praises of the saint… The universe, according to Gomes, in transit between
life and its representation. But always with lots of irony.
by Tonino De Bernardi
Italy (2012, 123')
TORINO XXX
In Paris, a pusher (Lou Castel) reads Marx and
moves “junk” at the global level, while a restless and ominous woman in black
(Joana Preiss) wanders through streets and apartments, and a broken-hearted
pusher (Catherine Libert) torments herself… Tonino De Bernardi, a long-standing,
underground presence at the TFF, in a noir that is cavernous and en plein air,
full of shadows and quiet fury. With Ghezzi “Mr.Hyde” and Abel Ferrara in tandem.
by Jennifer Lynch
USA (2012, 98')
RAPPORTO CONFIDENZIALE
A woman and her son get in a taxi to go home.
But they have chosen the wrong cab: the man knocks them out and takes them to
his isolated house, which they will never leave again. The years pass and the
boy grows up, in chains. Vincent D’Onofrio, Eamon Farren and Julia Ormond star
in the new nightmare by Jennifer Lynch (David’s daughter), who has matured
greatly since Boxing Helena.
by Terrill Lee Lankford
USA (2012, 88')
RAPPORTO CONFIDENZIALE
Calvin is celebrating Christmas with his wife
and daughter when, from amongst the decorations and the lights, deathly pale
faces and stumbling figures appear. Christmas at the Lansdales: based on a
short story by Joe Lansdale (who is also the producer), a zombie story scripted
by his son Keith and directed by T. L. Lankford. Shot near home (in Nacogdoches,
Texas), on a low budget, an eccentric prank which recalls The Drive-In.
by Alexandros Kontos
Greece (2011, 4')
TFFDOC/DOCUMENTI
All media, including cinema, are hugely responsible for a crisis that goes beyond politics and money. In Greece it is hard to distinguish between the proverbial feces and the media ventilator that spreads the stench. There will always be shit, this is a search for a different ventilator.
by Ciaran Foy
Ireland (2012, 84')
RAPPORTO CONFIDENZIALE
After three youths assault and kill his wife, a
young man develops a severe case of paranoid agoraphobia. It’s bad news when
the three hooded figures return to threaten him and his daughter. An
anxiety-ridden horror movie from Ireland, with a sick and squalid atmosphere; a
metaphorical paean to overcoming metropolitan and existential fears. Which
doesn’t forget to pay its dues to the genre and winks at Silent Hill fans.
by Francesco Pasinetti
Italy (1942, 15')
FESTA MOBILE/CLASSICS
A tribute to Francesco Pasinetti, the first
Italian critic to consider cinema an art form. Active in Italy between the two
wars, he also directed sophisticated documentaries primarily about his
hometown, Venice. Like the urban elegies Città Bianca, Lumiei and Latte per la
città, dedicated to the professions in
the Venice lagoon, and Il canale degli angeli, which inventively overlaps two
images of Venice, a real one and a fantasy.
by Makinov .
Mexico (2012, 95')
RAPPORTO CONFIDENZIALE
Two American tourists – a couple expecting a
baby – are on a romantic get-away on a small island off the coast of Mexico: a
paradise of sun, sea, and light, with lots of children and no adults. Directed
by Makinov, the anonymous Russian director, a remake of the Spanish cult movie
from 1976, Island of the Damned by Narciso Ibanez Serrador. The obsession of
the Other, personified by childhood.
by Anna di Francisca
Italy (2012, 98')
FESTA MOBILE
A composer, who is tired of accepting jobs he
is ashamed of, goes to visit a friend in a village in Spain, hoping to find
serenity and have an excuse to encounter
his daughter, whom he rarely sees. But he can’t avoid accepting a
request to direct an amateur choir. A bittersweet comedy starring Miki
Manojlovic, Maribel Verdù and Neri Marcorè as a Spanish barber.
by Craig Zobel
USA (2012, 90')
RAPPORTO CONFIDENZIALE
A phone call from a self-styled policeman accuses
a young waitress at a fast food restaurant of theft. The imposter convinces the
manager and the employees to become the prison guards and then the torturers of
the girl. A disturbing and incisive reflection on idiocy and the herd instinct,
on blind faith in the face of “authority,” and on the ease with which we
renounce our rights. The horror of “I was only following orders.”
by Ferruccio Marotti
Italy (1984, 80')
TFFDOC/DOCUMENTI
Along with Le tecniche dell’assenza, Concerto
per attore solo is the only existing video showing Carmelo Bene rehearsing
onstage. Exceptional real time video recordings of 32 days spent rehearsing
Macbeth show the basic elements of his poetics: the techniques of absence, un-thinking,
the flow of conscience, the phoné (the voice), the thespian machine, the
suspension of the tragic, incommunicability, unrepresentability.
by Jung Henin, Laurent Boileau
France (2012, 75')
FESTA MOBILE
A six-year-old Korean, Jung, is adopted by a
Belgian couple who already have four children. After life in the orphanage, the
boy starts a new life of contradictions and rebellion, until he learns to
accept himself. The true story of one of the two directors becomes an animated
film, with live action inserts and clips of family movies in super8. Audience
Award at the 2012 Annecy Film Festival.
by Cory McAbee
USA (2012, 56')
ONDE
Two children wander around the streets of
Brooklyn, guided by the drawings of stars they find along their way. With the
help of a Cyclops and a giant, they end up in Bethlehem, Pennsylvania. McAbee,
a former leader of the New York band The Billy Nayer Show, sets the movie
camera at child level and, like a Peanuts comic strip, tells the moving and
very serious fairytale of two innocents out to discover the world.
by Ken Jacobs
USA (2012, 45')
ONDE
His children, his friends and, above all, his wife, Flo: Ken Jacobs creates an act of love about the audacity of life, starting with his family album, with photos and home movies. 3D exceeds the optical performance and restores the depth of vital details to the images. With the participation of the playwright Richard Foreman, the critic Jim Hoberman, Mike Snow.
by Danaé Papaioannou
Greece (2011, 5')
TFFDOC/DOCUMENTI
All media, including cinema, are hugely responsible for a crisis that goes beyond politics and money. In Greece it is hard to distinguish between the proverbial feces and the media ventilator that spreads the stench. There will always be shit, this is a search for a different ventilator.
by Lorenzo Farò
Italy (2011, 10')
SPAZIO TORINO